Tuesday, July 30, 2013

Pearl Jam with Soundgarden & Mad Season - Live Seattle 1995



PearlJam with Soundgarden & Mad Season - Live @ Leased Practice Space,
Seattle,USA, 08-01-1995

NOTE: This radio broadcast originated from a home owned by Ed and was
relayed to any radio stations wanting to carry it. This show consisted,
not only of the two live PJ sets listed above, but also other live bands
(Mad Season and Mudhoney), friends, phone calls and a few records.
Ed announces that Jack Irons is now PJ's drummer.

Source: FM Broadcast
320kbps mp3
EX

Setlist

01. Spin The Black   2:59
02. Satan's Bed        3:28
03. Corduroy           4:46
04. Not For You      5:53
05. Immortality         6:26
06. Last Exit             2:48
07. Blood                 2:59
08. Tremor Christ     4:38
09. Porch                 3:51
10. Indifference        4:43
11. Soundgarden Jam Session  17:22
12. Mad Season Jam Session    9:49

ONLY FOR SHARE, NOT FOR SALE !
Support the artist by buying their records and attending their shows.

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Mad Season - Live Seattle 1995



Mad Season - Live @ The Moore Theatre, Seattle, USA, 29-04-1995
Not the complete show.

320kbps mp3
Source: Soundboard
EX+

Setlist
1.     Lifeless Dead
2.     River of Deceit
3.     I Don't Know Anything
4.     Long Gone Day (with Mark Lanegan)
5.     X-Ray Mind
6.     All Alone
7.     November Hotel

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Monday, July 29, 2013

Thelonious Monk - Live Rotterdam 1967



Thelonious Monk - Rotterdam, 1967
Rotterdam
Holland
October 28, 1967-10-28


FM Broadcast
FLAC file
EX


01. Ruby, My Dear 5:59
02. Hackensack 11:07
03. We See 17:12
04. Intros in Dutch / Epistrophy 11:02
05. Evidence/Epistrophy 11:00
06. Don't Blame Me 4:49
07. Oska T./Epistrophy 17:21

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Saturday, July 27, 2013

J.J.Cale




Very sad loss of a wonderful singer songwriter. J.J. Cale passed away on Friday at the age of 74. J.J's music has been a large part of my life. I lost connection with his music for several years, but only just recently rediscovered him through his 1990 album Travel Log. Pure, passionate, and always from the heart, J.J. Cale's music carries a strong, loyal and loving fan base. Thank you for the music Mr. Cale.

Tuesday, July 23, 2013

Black Sabbath - Live 1983




Black Sabbath
Live 1983

Incredible soundboard
MP3 320


1. DJ Intro
2. Intro
3. Children of the Grave
4. Hot Line
5. War Pigs
6. Iron Man
7. Zero the Hero
8. Heaven and Hell
9. Guitar Solo
10. Digital Bitch
11. Black Sabbath
12. Smoke on the Water
13. Paranoid

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Jethro Tull - Live Munster Germany 1973




Jethro Tull
Halle Münsterland, Münster, Germany
1973-03-08

This is a very impressive, energetic full-length Thick-as-a-Brick
performance of Tull and the whole rest of the show, part of the second
german leg of the TAAB tour after Jethro Tull had already toured with A
Passion Play in the States before . There are a few other complete and
very good to excellent recordings of full TAAB this being one of them.

Type: audience mono

SQ: Very good, a bit far from the stage, full dynamics in the music, a
little bit hiss in the quiet parts

Venue: Halle Münsterland, Münster, Germany
Date: 1973-03-08

**Original Notes**
I was lucky to see and record this great show, when I was 17 year old, and
it was one of my first recordings of not so many live shows. I can't
contribute any details of the show - all forgotten. But these tapes have
always been a treasure for me, never played for most of the years and first
digitized in 2003 - but without azimuth! So I'm happy having discovered a
way to share it and finished it finally.


DISC 1: Total Time: 76:19 - complete "Thick As A Brick" (totally netto 73:35)

1 Thick As A Brick pt.1 4:47
2 Thick As A Brick pt.2 2:44
3 Thick As A Brick pt.3 6:53
4 Thick As A Brick pt.4 2:03
5 Organ Solo 5:26
6 Thick As A Brick pt.5 2:59
7 Flute Solo (incl. Quartet/God Rest Ye Merry Gentlemen/Bourée) 9:09
8 Thick As A Brick pt.5 contd. 1:37
9 Thick As A Brick pt.6 9:07 (tape flip 1 @ 8:53)
10 Six O' Clock News 6:02
11 Thick As A Brick pt.7 2:19
12 Drum Solo 13:24
13 Thick As A Brick pt.8 2:17
14 218 Babies And A Cat 0:50
15 Thick As A Brick pt.9 3:58
16 Thick As A Brick pt.10 2:36

DISC 2: Total Time: 52:10

1 intro cross-eyed mary 1:18
2 Cross-Eyed Mary 3:20
3 Left/Right 3:25
4 Audition 2:31
5 Aqualung 7:16 (tape flip 2 @ 0:05 - patched)
6 encore 1:11
7 intro wind-up 1:03
8 Wind-Up 2:18
9 Rehearsal 6:15
10 No Rehearsal 2:36
11 Guitar Solo 8:46
12 Locomotive Breath 6:10
13 Hard-Headed English General 3:23
14 Wind-Up Reprise 2:27

total running time: 2:08:29

Line-Up:
IAN ANDERSON: vocals, flute, guitar
MARTIN BARRE: Guitar
JEFFREY HAMMOND-HAMMOND: bass
JOHN EVANS: keyboards, organ
BARRIEMORE BARLOW: drums


recorded, transfered and uploaded on Dime 2007-10-20 by trapper
Reseed on Dime in Sep 2010 by trapper


enjoy!!!

Trade/share freely, do not sell.
Do not encode as MP3 or any other lossy format and redistribute.
Do not remaster with evil Noise Reduction (NR) or alter the text if you
want to share.
Include the original text/lineage if you remaster.

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Monday, July 22, 2013

Pink Floyd - Live Oakland 1977






"Welcome To The Machine" (Cannonball)

SQ Scale (G+ VG- VG VG+ EX- EX EX+ SUP- SUP)

SQ Rating: SUP-

Pink Floyd
Alameda Coliseum
Oakland, California
1977-05-09

Source: "Welcome To The Machine" (Cannonball)
Lineage: My Silver>CDWave>Flac6

Extraordinary SQ on this recording. IMO, the SQ on this rates essentially
the same as Animal Instincts RevB and the Master RtR but the type of sound
is a bit different on each.

Disc 1 (65:23)
1. SHEEP (11:13)
2. PIGS ON THE WING (pt1) (2:15)
3. DOGS (17:28)
4. PIGS ON THE WING (pt2) (3:14)
5. PIGS (THREE DIFFERENT ONES) (17:29m)
6. SHINE ON YOU CRAZY DIAMOND (1-5) (13:44)

Disc 2 (70:13)
1. WELCOME TO THE MACHINE (8:13)
2. HAVE A CIGAR (6:36)
3. WISH YOU WERE HERE (6:08)
4. SHINE ON YOU CRAZY DIAMOND (6-9) (21:14)
5. MONEY (10:24)
6. US AND THEM (7:39)
7. CAREFUL WITH THAT AXE, EUGENE (9:59)

Total Time 135:36

For Free Trade Only - Not For Sale


**From http://www.boot-review.com/page39.html**
Welcome To The Machine (Cannonball CA-2004017/18)

Alameda Coliseum, Oakland, CA - May 9th, 1977

Disc 1:  Sheep, Pigs On The Wing (part 1), Dogs, Pigs On The Wing (part 2),
Pigs (three different ones), Shine On You Crazy Diamond (parts 1-5)

Disc 2:  Welcome To The Machine, Have A Cigar, Wish You Were Here, Shine On
You Crazy Diamond (parts 6-9), Money, Us & Them, Careful With That Axe Eugene

This concert has the distinction of being one of the best recorded from
Pink Floyd's In The Flesh 1977 US tour.  The clarity and balance makes it
possible to hear every note played perfectly and even the giggles between
Roger Waters and David Gilmour in "Have A Cigar".  This show was released
several years ago as Mr. Pig which utilizes (so it was claimed) the first
generation reel-to-reel masters.  Highland uses compression and heavy
equalization to bring out the high end on the tape making everything louder.

Cannonball used a different tactic with this release.  They didn't use the
compression or any form of dressing up of the tape to make it sound much
more natural and dynamic.  The highs aren't as shrill as on the other one
making it sound very nice.  Furthermore the crowd reactions such as they
are not as audible either.  It could be that Cannonball has used the DAT
clone of the master whereas Highland used the reel-to-reel copy of the
master.

Whatever the case might be this tape is the best sounding from this
particular Pink Floyd tour and is essential.  The Oakland crowd were well
behaved enough to not throw firecrackers and upset Roger (how many times
did he yell at audiences during this tour?)  Both Animals and Wish You Were
Here are played perfectly.  David Gilmour in particular is on fire here.
Of particular note is his solo in "Pigs (Three Different Ones)" where he
throws in some middle-eastern scales adding an exotic oriental feel to the
piece.  A unique event in a Pink Floyd concert!

To thank the well-behaved crowd the band reward the audience with the extra
encore "Careful With That Axe Eugene", the only time the song was played
during the tour and the final time ever by the full band.  It's a short
version and the scream isn't as blood curdling as in the past.  It is
however very nice to hear the mature band pulls out this early classic.
(GS)

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Wednesday, July 10, 2013

Jethro Tull - Live Texas 1973




Jethro Tull 1973-07-16 audience
Fort Worth, Texas
Tarrant County Convention Center
Blue Cafe "Texas Minstrel Show"

-EX
Slightly distant and 'echoey'.

lineage - unknown audience source > commercial cdr's > EAC wav > TLH flac 8

disc 1
a passion play (101 thru 116)
101 lifebeats
102 prelude
103 the silver cord
104 re-assuring tune
105 memory bank
106 best friends
107 critique oblique
108 forest dance #1
109 the story of the hare who lost his spectacles
110 forest dance #2
111 the foot of our stairs
112 overseer overture
113 flight from lucifer
114 10:08 to padddington
115 magus perde
116 epilogue
117 thick as a brick - the middle bit incl. flute solo

disc 2
201 cross-eyed mary
202 no rehearsal
203 instrumental - thick as a brick & drum solo
204 aqualung
205 wind-up
206 instumental - minstrel in the gallery
207 locomotive breath/hard-headed english general
208 wind-up reprise

art,ffp,md5,eac logs included

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Saturday, July 6, 2013

Traffic - Winterland 1973




Traffic
1973-01-26
Winterland
San Francisco, CA
Soundboard Recording
320 kbps
Artwork Included

Outstanding Sound and Performance

EX+
MP3 320

CD 1:
01. Shootout At The Fantasy Factory
02. Rock'n'Roll Stew
03. Roll Right Stones

CD 2:
01. Empty Pages
02. Evening Blue
30. 40,000 Headmen
04. Glad
05. Freedom Rider
06. Tragic Magic (incomplete)
07. Sometimes I Feel So Uninspired
08. Light Up or Leave Me Alone

Stevie Winwood - keyboard, guitar, vocals;
Jim Capaldi - drums, vocals; Chris Wood - sax;
David Hood - bass; Roger Hawkins - drums;
Reebop Kwaku Baah - percussion

* Original Notes

This is the part of the stream of essential Traffic performances 1967-1974.
This recording was made while the band was taping shows for their
soon-to-be-released On The Road double CD. For the tours and records made
around this time ('72-'74), Traffic was augmented by three members of the
legendary Muscle Shoals Rhythm Section, a group that had provided backing
on some of the greatest rock and R&B hits of the 1960s and '70s, including
many classic Aretha Franklin and Dusty Springfield records. This same month,
Traffic released Shoot Out at the Fantasy Factory, which went gold and
reached the American Top 10.

By adding David Hood on bass, Roger Hawkins on drums and Barry Beckett on
keyboards, the group's core members -Winwood, percussionist/vocalist Jim
Capaldi and sax player/flutist Chris Wood - found an enormous amount of
freedom to play their respective instruments. Many Traffic classics are
here, including "Empty Pages," "Evening Blue," "Forty Thousand Headman,"
"Glad" and "Freedom Rider," but there is still enough room for several,
then-new tracks to be featured, including "Shoot Out At The Fantasy Factory,
"Rock and Roll Stew," "Roll Right Stones," "(Sometimes I Feel So) Uninspired"
and "Light Up Or Leave Me Alone."For fans of Traffic, Winwood, or classic
rock in general, it doesn't get much better than this.

Monday, July 1, 2013

Pink Floyd - Live and Rare Tracks 1969-1973




Here is a great fan collection of some of Floyds more unique output through the early classic years.
Various bitrates and sound quality, but as the notes below suggest, all within the VG to Ex range.
If you are a hard core fan, or just curious about Floyds early live sound, this collection is a must.


*Original Notes*
 What kind of Pink Floyd fan are you ?- Your most beloved period of the band
are the early days because they were often experimenting new ideas and new
songs during concerts.- You like only live bootlegs with the best sound
quality. So you already may have all the recording from the band rated 9
or 10/10 : all the BBC sessions / The Montreux festivals 1970 & 1971 /
The Man & the Journey from the Concertgebouw 1969 / The Electric Factory
1970 / the Rainbow 20 Feb 1972 (best on tour) and maybe others-
 You don't want to own bootlegs for archival purposes, but for listening
pleasure. So you're happy to stick with the list of bootlegs mentioned
above, since you don't want to have 10 times the same setlist with few
variations from concert to concert.- But you know that in some particular
occasion, the Floyd played some special versions of their songs, or played
songs sporadically before dropping them out of their set-list...These
special or rare versions can be found on many bootlegs, but would you like
to have them all ? For most of them the sound isn't top quality. you'd like
to listen to these songs only but not to the whole concert and to a 10th
version of "Saucerful of secrets" for example., even more if the sound is bad.

 If you're this kind of Pink Floyd fan, THIS COMPILATION BOOTLEG IS FOR YOU !
It contains many rare tracks or special versions of most common tracks.
Sound quality is not always the best, but I have selected the best I could
find. I am very demanding on the sound quality, so I rate very severely
unlike most bootlegers/fans who have a tendency to rate "excellent" or
"very good" recordings that, to me, are barely listenable...I am particularly
proud of the Moonhead version from the BBC TV since it sounds much much
better than any other versions I could find, even on the ultimate
"A Tree Full of Secrets" bootleg anthology.3 CD boxset, with complete
artwork, and an 8-page booklet with full details for each track, which are
summarized below :

CD1
1. Hollywood
2. Cymbaline - Music from the film More, recorded March 1969.Unreleased and
   different versions than the soundtrack album. Quality 8/10
3. Moonhead - London, BBC studio 1969. Unreleased track used in a TV
   documentary on the night of the first moonlanding. This track is
   basically a bass riff, which was years later recycled in the middle
   instrumental bridge of Money. Quality 7/10
4. The Violence Sequence
5. The Amazing Pudding - Live in Paris, France, theatre de Champs Elysees,
   23 Jan 1970. Quality 9/10
6. Main theme from More
7. Sysyphus
8. The violence suite (Heart beat, pig meat / Quicksilver / Moonhead /
   Violent Sequence) - Live in Birmingham, 11 Feb 1970. Historical
   performance,these songs were almost never performed live. Quality 5/10

CD2
1. Astronomy Domine - Live St Raphael USA, 17 Oct 1970. The shortest
   (6 min) version of this song ever performed in 1970. Quality 7/10
2. Introduction : the Massed Gadgets of Auximenes and the Knights of the
   Teutonic Order
3. The labyrinths of Auximenes
4. Grooving with a Pict
5. Embryo - Live Hamburg, Germany 14 Nov.1970. Labyrinths
   (often mistitled Corrosion on many bootlegs) is a different version of
   Moonhead. Grooving is a unique performance, and Embryo features an extra
   experimental jam. Quality 7/10
6. Allan's psychedelic breakfast - Live in Sheffield, England, 22 Dec. 1070.
   This track was performed live only 5 times in Floyd's history. Quality 7/10
7. Blues in the Wind - Live in London, Hyde Park, 18 July 1970. Rare short blues
   played as an introduction to Embryo. Quality 5/10
8. Embryo - Live in New York, USA, 5 Nov. 1971. Very long (17 min) and
   unusual bluesy version, as opposed  to the "psychedelic" (as I would call
   it) standard version. A complete reworking of the song. Quality 6/10

CD3
1. The labyrinths of Auximenes - Live in Gothenburg, Sweden, 11 Nov. 1970.
   Labyrinths is aother version of Moonhead. This performance was often
   mistitled "Librest Spacement Monitor" (!?). Quality 7/10
2. Embryo - Live in Cincinnati, USA, 20 Nov. 1971. This is the longest version
   of this song ever performed (27 min !). Maybe because of technical
   problem ? The extended jam features parts reminiscent of Echoes. Quality 7/10
3. Childhood's end - Live in Zurich, Switzerland, 9 Dec. 1972. This song was
   only played sporadically in 1972. Quality 7/10
4. Obscured by clouds/
5. When you're in - Live in London, England, 19 May 1973. Rare track played
   only at some 1973 shows. Quality 6/10
6. Obscured by clouds
7. When you're in - Live in London, England, 5 Nov. 1973. These versions are very different
   to the above performance some months earlier. Obscured is played here
   very very slow, and When You're in is very short. Quality 6/100

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