Monday, September 5, 2016
RE-UP Pink Floyd - Colchester 1971
PERFORMER "Pink Floyd"
TITLE "Pink Floyd 1971-02-12 University of Essex, Colchester (2nd Gen) 24-96 Bert13 SPC"
Flac from WAV
VG+
HUGE FILE! 3 LINKS
01 Atom Heart Mother
02 Embryo
03 Careful With That Axe, Eugene
04 Astronomy Domine
05 Cymbaline
06 Set The Controls For The Heart Of The Sun
07 A Saucerful Of Secrets
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RE-UP Pink Floyd - Frankfurt 1972
Pink Floyd
Festhalle
Frankfurt
November 17th 1972
New High Definition transfer from Marbal's own 1st Generation Backup Reel.
Transfer and Artwork production by Beechwoods.
Mastering by Jimfisheye.
FLAC
EX+
MASTER: 24bit/96kHz stereo* FLAC
SC: 24bit/96kHz stereo* FLAC (speed corrected only - no other processing)
RAW: 24bit/96kHz mono FLAC (no processing)
CD (portable master): 16bit/44.1kHz stereo* FLAC (24/96 master > 24/44.1 > 16/44.1)
* The mono program is presented as dual mono in the stereo format. This is to avoid it playing only through the center channel of a 5.1 home theater system or a single channel of a stereo system. This does not increase the file size with FLAC compression.
Set List
01 [03:20] Speak To Me
02 [02:48] Breathe
03 [06:15] Travel Sequence
04 [06:54] Time / Breathe Reprise
05 [04:31] The Great Gig In The Sky
06 [06:00] Money
07 [07:45] Us And Them
08 [05:37] Any Colour You Like
09 [07:19] Brain Damage / Eclipse
10 [09:40] One Of These Days
11 [12:28] Careful With That Axe, Eugene
12 [24:45] Echoes
13 [12:48] Set The Controls For The Heart Of The Sun
|| [110:16] Total
** Original Beechwoods' Notes
Marbal recorded both of the Floyd's performances at the Festhalle in Frankfurt in November 1972, on the 16th and 17th. The first show was recorded to cassette, on a mono Philips EL3302 portable recorder. On the 16th Marbal spotted that the venue had conveniently sited mains power upstairs besides the seats, so he decided to try and get his Grundig TK147 reel to reel recorder into the venue for the second night.
This transfer is named in honour of that machine, and the nerve it took to get it into the venue! It's easy to forget how big decent machines were back in the early 70's, and the difficulty in getting them into a venue. As Marbal commented on the day before 'When we ran inside the hall we kicked the security out of the way...' - a 'take no prisoners' approach to stealth recording!
It's worth saying a little about existing copies that circulate. All Marbal's cassette copies are from his 1st Gen backup reel. 'I did that during my student time to secure the quality of the 1st reel which was in my parents' house together with the machine while I had 2 cass-decks in my little flat'. Circulating cassette copies will be 2nd gen or higher.
The mastertape is sadly damaged and lost.
This particular transfer is, I hope you will agree, an extraordinary improvement on circulating copies.
** Jimfisheye's Notes
This is a mono recording of a concert presented in quadraphonic surround sound. The balance captured on tape is fairly complete considering but certain elements are far away sounding due to the mono perspective.
The recording suffers from incorrect transfer speeds, high frequency attenuation from tape degradation and generation loss and harmonic distortion from a microphone/deck just not up to the task of capturing full spectrum live loud dynamic sound. The loudest sections of music suffer further high and high mid frequency attenuation and compression.
The intent for this master is to present the concert as closely as possible to how it originally sounded with a reasonable amount of restoration work. Listening to a raw audience recording of an event made on amateur and/or portable equipment can turn into more of a study of the challenges and imperfections than the event itself. Tapes running at wrong speeds, volume levels altered by equipment response and operator controls and frequency balance altered by equipment limitations can be very large distractions. Perfectly complete restoration is not always the goal (or even always possible). There will almost certainly be some artifact left untouched or a technique employed to be scrutinised. The goals here were to restore the correct speed, offset the high frequency attenuation and correct record level fluctuations caused by level adjustments during the recording and other equipment anomalies.
The 1st half of TDSOTM is 46c flat but the rest of the show is 31c flat. This was corrected with Serato Pitch n Time. The level of harmonic distortion makes it difficult to make any adjustments without further degrading the recording. I was able to restore some balance by boosting the high frequencies. The high mids were boosted and the highs further boosted during the more compromised loud sections. All eq boosts were done by first isolating the frequency range to boost in a copy of the track and then mixing this together with the original track. This clinical approach avoids the colouration and alterations inherent in eq boosts. I used iZotope2 noise removal on the track adding back in high frequency content in order to not increase the hiss in the recording. It was not possible to remove hiss from the overall recording without losing content. I corrected the record level fluctuations and removed a number of noises from the mic and equipment being physically jostled.
Speed correction and certain isolated noise/artifact removal is fairly black and white. Acoustics of the venue, performance of the sound engineer and the nature of the quadraphonic surround sound mixing present a lot of variables. Add portable recording equipment to this (and these levels moving around especially at the beginning of the show) and frequency balance and level correction become more subjective. Although this recording is far from audiophile or even portable consumer standards, the fragile nature of its remains actually require a full quality digital format to preserve without incurring further loss. With this in mind and to preserve raw data for future technology, the raw digital transfer and a speed corrected only version are included with the mastered version of this recording.
This show gets off to a rough start as well. Rick's keys are flat at first. (Power issues affecting Ricks tuning?) They seem painfully aware they are out of tune and are just trying to get through it. You can hear it in their playing. Sounds like everything's under control again by the end of Time.
Marbal Tape / Beechwoods Transfer / Jimfisheye Mastering
September 2012
********************************************************************************
Part 1
Part 2
RE-UP Pink Floyd - Tempe AZ 1975
Pink Floyd
ASU Activity Center, Arizona State University, Tempe, AZ
1975-04-20
Unknown Gen Cassettes
Here's another gem from the scratch and dent section. Pink Floyd in Tempe AZ is most definately a collector or completionist only recording. The sound is ragged and the tape player is doing somersaults. Nevertheless, it still has some value. The original notes are below.
1 x TDK SA90 Cassette, recorded sometime in the 90's.
==
Nakamichi ZX-7 > Tascam HD-P2 > WAV (24/96) > FLAC 8
Apple MacBook / Adobe Audition CS6 used to remove preceding and trailing silences, and to split into tracks. XLD used to encode to FLAC.
G-
Transfer by Beechwoods, 3rd November 2013.
==
84'09" - Excluding 'Shine On...'
90'28" - Including 'Shine On...'
Part 1
01. Announcements and Audience
02. Raving And Drooling
03. You've Got To Be Crazy
Part 2
04. Speak To Me
05. Breathe
06. On The Run
07. Time
08. Breathe Reprise
09. The Great Gig In The Sky
10. Money
11. Us And Them
12. Any Colour You Like
13. Brain Damage
14. Eclipse
Part 3
1. Echoes (cuts) only the first 8 mins
*Shine On You Crazy Diamond parts 1-5 (cuts) only the first 6 mins
* Quite possibly not from the same show.
==
*Original Notes
From my own unknown gen tape. A picture is included in this package.
This recording is pretty ropy. Unlike the circulating 'Tempe' transfer though, my tape actually sounds like the band are playing in the same room, rather than sounding like the taper was stood in the carpark! The taper's equipment struggles badly with the volume of the show. The audience are absolutely mental! Listen to the start of 'Breathe'! It must have been an incredible show.
This transfer betters the Tempe release in a number of ways. It is more complete in terms of announcements and audience prior to 'Raving And Drooling' - almost a minute more content here. 'Speak To Me' is also more complete; one and a half minutes longer prior to the point 'Tempe' kicks in to the track.
My tape ends with 'Shine On You Crazy Diamond' which cuts after about 6 minutes. The sound of 'Shine On' is different to that of the rest of the show. The audience are definitely from the US, and quite intrusive, but the sound is wider, and clearer. Given 'Shine On parts 1-5' would have been performed between 'You've Got To Be Crazy' and Dark Side, I'd expect the sound to be consistent with those parts. And changing batteries would have seen a sustained improvement in sound through and into Dark Side, which is not apparent here.
I've not been able to identify the source of Shine On, but it shouldn't be too difficult given the constant mic-bumping and distinctive audience chatter.
Anyway, this is a very worthy upgrade to 'Tempe'. I hope you enjoy it.
Beechwoods
14th November 2013
Part1
Part2
Part3
RE-UP Pink Floyd - Daly City, California 1975
PINK FLOYD - Sound Definition
13 April 1975 Live at the Cow Palace, Daly City, California, USA
FLAC
EX
MD5 & Artwork incl.
---------------------------------------------------------
Disc 1: Time:
1. Raving And Drooling 11:49
3. Shine On You Crazy Diamond (Parts I-V) 12:25
4. Have A Cigar 5:39
5. Shine On You Crazy Diamond (Parts VI-IX) 12:33
Total Time: 42:26
Disc 2: Time:
1. Speak To Me
2. Breathe
3. On The Run
4. Time
5. Breathe (Reprise)
6. The Great Gig In The Sky
7. Money
8. Us And Them
9. Any Colour You Like
10. Brain Damage
11. Eclipse
Total Time: 56:38
only 10 Tracks on CD !!!
Disc 3: Time:
1. Echoes 47:44
Echoes playing twice (audio doubled)
Download
RE-UP Pink Floyd - Paris 1974
Pink Floyd 1974-06-24 Paris, unknown gen (16bit/44.1kHz)
Pink Floyd
Palais des Sports de la Porte de Versailles, Paris, France
24 June 1974
01 Shine On You Crazy Diamond
02 Raving And Drooling
03 Echoes
Set two:
04 The Dark Side Of The Moon
Encore:
05 One Of These Days
Running time: 1 hour 56 mins 26 secs
This one is a bit of a tough listen at times. A collectors or completionist item only perhaps. Most of the gory details are listed below. The tape speed and distortion issues are prevalent and quite distracting at times. The sound is muffled but listenable, once your ears adjust.
FLAC
G/G+
*Original Notes
I received my cassettes in a trade with an experienced French collector in 1996 and they are probably low gen.
The files represent a straightforward transfer of this mono recording followed by a partial speed correction. I dropped the dull sounding right channel on sides A to C and the left channel on side D. As often occurs, taking this action gave the recording a nice boost. In terms of output levels, sides A and B were a good match for one another. I moved the FSP's gain dial down slightly for side C, then a little more for side D.
When transferring the tapes it was interesting to note that each side was close to 30 minutes:
A - SOYCD / R&D - ends 29.49.29
B - Echoes - ends 54.41.85
C - Speak To Me to Money - ends 84.39.27
D - Us And Them to One Of These Days - ends 112.55.61
My tapes run fast and unfortunately the speed is variable, ranging from 3% to 8% (the latter during parts of Time). I slowed the recording down by 3% in Audacity for this release so it is closer to being correct. After downsampling in Reaper from 24/96 to 16/44, the final step was to track the project in CDWave.
Neonknight, September 2013
Download
RE-UP Pink Floyd - Two From The Darkside 1972 /San Fran, Chicago
Pink Floyd
San Fransisco
Winterland
1972-09-24
FLAC
VG+
*Original Notes
16 bit CD burnable version from Low-gen Reel To Reel (First time in circulation with great artwork!) mp3 samples included
It's been said that this may be the definitive version of this show. Please weigh in with your comments!
This great set is here in a version that can directly be burned to CDr. A suggested split is to put the DSOTM material on one disk, and the remainder on the second.
Many thanks to Sgt. Weatherman for the professional artwork!
Setlist (Runtime about 91 minutes)
Speak To Me
Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse
One Of These Days
Tuneups
Careful With That Axe, Eugene
Tuneups
Echoes
Enjoy!
A DoinkerTape
Download
_________________________________________________________________________________
Pink Floyd - 1972-04-28 - Chicago, IL
(Impressive audience mp3@192)
Speak To Me
Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse
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