Friday, December 16, 2016

RE-UP Robin Trower - Record Plant Studios, Sausalito, California 1973




Robin Trower
1973 11 08
Record Plant Studios, Sausalito, California, USA
TAKRL 1939 "Guitar Bandit" liberated bootleg

MP3 320

Set List:
1- The Fool and Me
2- Twice Removed From Yesterday
3- Lady Love
4- Daydream
5- Day Of The Eagle
6- I Can't Wait Much Longer
7- Man Of The World
8- Sinner's Song
9- Little Bit Of Sympathy

Band:
Robin Trower: guitar/ vocals
James Dewar: bass/ vocals
Reg Isodore: drums/ vocals(?)

Bonus Tracks and AlbumWrap included

Original Notes:

An excellent sounding FM broadcast of Trower after the release of
"Twice Removed From Yesterday" but before "Bridge Of Sighs" from
the Amazing Kornyphone Records label.

I bought this LP around 1975 and it instantly became my favorite
Trower record, as the wear and tear on the vinyl shows.

Included is a jpg scan of the cover art. My scanner bed isn't large
enough to accomodate an lp cover so I pasted two half-scans together.
The two parts don't line up exactly but it gives you an idea of what the
cover looks like.

The above recording history/ show date came from a trader's website
so I can't vouch for its accuracy but it seems logical to me.

Please trade this freely but do not sell.

-flick

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Thursday, December 15, 2016

Black Sabbath - Scotland 1969






Black Sabbath

November 16, 1969
Rugman's Youth Club
Dumfries, Scotland

Taper: Alex Wilson

Lineage: Grundig Dynamic Mic -> Grundig Reel To Reel @ 3 and 3/4 IPS -> ? -> CDR -> FLAC
VG
Running Time: 62 Minutes

Track List:

01 Black Sabbath (Cuts In) 01:23
02 Let Me Love You Baby 05:03
03 Song For Jim/Bill Ward Drum Solo 10:52
04 The Warning 18:16
05 Wicked World 05:30
06 Behind the Wall of Sleep 05:01
07 Early Morning School 04:53
08 N.I.B. 05:08
09 Blue Blooded Man 06:20

Band:

Vocals: Ozzy Osbourne
Guitar & Flute: Tony Iommi
Bass: Geezer Butler
Drums: Bill Ward

*Original Notes
It is with great pleasure to be finally sharing this with the Dime Community. If you're even remotely familiar with Sabbath Recordings you'll know that this is one of the Holy Grails. For those unaware, this recording, as far as I know, is the earliest live document of Black Sabbath. A simple thanks will suffice, however if you'd like to get in touch with me, I can be reached here on Dime.

I can only hope that by sharing this, it will inspire others who have any uncirculated recordings to share theirs with the community and let us as fans enjoy the music. This is dedicated to all those Dimers (Past and Present) who have shared their recordings over the years and especially to those who have shared uncirculated material (You know who you are!).
This is actually a very enjoyable recording and provides an example of the type of show the band known as Earth would have played and their transition into one of the most important bands in history, Black Sabbath!

Alex Wilson's Original Notes: The night of Sunday, 16th November 1969 at Rugman's Youth Club changed my life. I'd never heard a band play with such power or heavy riffs before, and it actually made me start my own band!

I'll start off by describing Rugman’s - it's like standing in a small section of railway tunnel. There were stages at both ends, possibly about 20 yards long with walls curving onto the ceiling. The stage Sabbath played on was about 2 foot high. There were no fancy stage lights, just one red bulb overhead and all the other room lights were out! There was about a crowd of 80 to 100 of an average age around 16 years, so there was no alcohol. It is worth noting that there was NO swearing from Ozzy, possibly because there were kids present and maybe his Dumfries girlfriend as well, a girl named Gillian McQueen.

The acoustics were quite good if there was a crowd in. The show was recorded at the far stage from where the Sabs played, using one Grundig dynamic mic (thus making the tape just monaural). There was no automatic level setting on the mike then, so there are fluctuations in the recording level, as well as the inevitable bits of tape dropout considering the age of the tape originally used. During the music solos, you can hear the crowd chatting and discussing the evening, due to the obvious fact that they were standing between the mike and the band.

The original tape was recorded on a Grundig reel to reel at 3 and 3/4 ips. I used to record every Amplified Heat show, so my equipment was there. Towards the end of the seventies, the tape began to fall apart. God knows when the original tape used was manufactured! But I did manage to transfer the recording to another reel to reel. Sabbath played 2 sets that night, but I was so gobsmacked that I didn't record the first set!

Sabbath's equipment set-up that night was as follows: Ozzy sang through a Vox 100 watt P.A. amplifier via 2 Vox columns with four 10" speakers in each of them! Geezer and Tony had a Laney stack each with two 4 x 12" speaker cabinets each, but amazingly their Laney amp heads were only 60 watts (one amp per stack)! Bill's kit consisted of 1 bass drum, one hanging tom, one floor tom, one snare, and a hi hat!!

The tape lasts approximately 62 minutes and the running order is as follows:

1. Black Sabbath: I managed to get the last minute and half of this song.

2. Let Me Love You Baby: This is a fast jazz-blues song that I'm sure Jeff Beck/Rod Stewart did on their first LP. It lasts just under 5 minutes, but sadly suffers from a bit of volume drop out for 20 seconds in the last minute of the song. Otherwise, it's brilliant. This was the end of their first set of the evening. Ozzy announces that they’ll have a half-hour break at this point in the show. [Editors note: This song is actually a Buddy Guy song that was later covered by many artists including the Jeff Beck Group and Stevie Ray Vaughan. The original tape loses volume towards the end of the song, but this has been fixed...]

3. "A Song For Jim" / Bill Ward's Drum Solo / "A Song For Jim" [reprise]: The second set starts off with a flute and drum solo section featuring Tony Iommi on flute! This segues into Bill Ward soloing with his tiny kit! This section lasts approx 11 minutes and has a jazzy flute part in the middle that sounds like something out of the Pink Panther! [Editor's note - Although Alex had originally listed this one as just a "Flute & Drum solo", it immediately occurred to me that Tony was actually playing the melody for "A Song For Jim"! Upon closer inspection, I realized that Geezer was playing as well, so this is actually a live version of the song so many collectors have been clawing for. While we've only heard a smidgen of the unreleased demo for this song on the BLACK SABBATH STORY - VOLUME 1 video, we get to hear quite a bit more here. This rarely heard song sandwiches a rather lengthy Bill Ward drum solo and a short flute interlude from Tony. The complete running time of this track is 11:01.]

4. The Warning: After a small break of 30 seconds the fourth track is "Warning", lasting 17 minutes and 45 seconds. There are slight bits of volume dips and tape dropout during this number, which is otherwise very good quality. [Editor's note - This rendition of "The Warning" contains a few extra sections that were likely cut from the studio version, making this a nice opportunity to hear what may have been extracted. You can tell the audience is getting rather restless by the 15 minute mark, so it was probably wise to edit this one for the album. There is a small cut towards the end of the song, but is probably missing only a minute or so.]

5. Wicked World: The next song is "Wicked World", lasting 5 minutes 30 seconds. This features a jazzy section between verses 1 and 2 that’s not on the single version. I don’t know if it's been on any other recordings or not. There's a severe jump in the volume during the instrumental section leading to the last verse. God knows what caused that! You can hear Bill counting in the ending...

6. Behind The Wall Of Sleep: Next up is "Behind The Wall Of Sleep" at just under 5 minutes. The last 70 seconds features a fast jazz blues section, which I don’t remember on the original release. [Editor's note – This includes the same jazzy section that can also be heard on Paris ’70, John Peel’s Sunday Show 4/26/70 and Koln 4/3/70. This leads me to believe that the band originally intended that section to be part of the song. The studio version ends just before they would ordinarily kick into the jazz vamp.]

7. "Early One Morning" [a.k.a.Early Morning School]: The seventh track is a fast blues/boogie, which I believe they called "Early Warning School". I don’t have the announcement on tape, but I seem to recall that was the title they said. But I'm going back 35 years here to remember this! It lasts just under 5 minutes. Very good. [Editor's note – Sorry for the previous confusion on the title. David Rostowsky pointed out that this is more than likely a cover of the Elmore James song "Early One Morning", with slightly butchered lyrics!]

8. N.I.B.: The eighth track is "NIB" at just over 5 minutes long. This is the one that changed my musical outlook and encouraged me to start my own band. [Editor's note - "N.I.B." has different lyrics!! The 'chorus' sections ("My love for you has got to be real") are the same, but the verses are completely different.]

9. Blue Blood Man: The last track and the encore for the night is called "Blue Blood Man". It’s a fast blues/boogie that showcases Tony doing his Alvin Lee impersonation (via Django Reinhardt!) This lasts over 6 minutes and is great!

I spoke to the band after the show when they were packing their gear into their old Transit. I asked Tony why he had left Jethro Tull after even being on Top Of The Pops. T.O.T.P. was the ultimate pinnacle in those days, for you knew you'd arrived if you got on it. He told me he'd "Rather play with my mates. Jethro Tull are weird!" I can also remember my flared trousers flapping in the wind from the volume of the show when I was standing in front of the stage! I met the band another 3 times in the very early 70's and they always remembered the times they played in Dumfries. I'm sure there are more Dumfries dates for your timeline, which I'll try and find out for you.

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Soft Machine - In Concert 67-71






Soft Machine - In Concert

FLAC
-EX

01. Neo Caliban (10:14)
02. Out Bloody-Rageous (12:32)
03. Eamonn Andrews , Teeth (24:11)
04. Feelin´ Reelin´ Squeelin´ (2:47)
05. I´m So Low (2:28)

Tracks 1-3 are recorded at the Paris Theatre, London, March 11, 1971. The complete show was reissued from Hux Records in 2005. Track 4 is the B-side from the 1967 first single and Track 5 is a demo.

CD Matrix Number is CDT-Berlin 1-9018 01

Alto Saxophone, Saxello – Elton Dean (tracks: 1 to 4)
Bass – Hugh Hopper (tracks: 1 to 4)
Bass, Vocals – Kevin Ayers (tracks: 5, 6)
Cornet – Mark Charig* (tracks: 1 to 4)
Double Bass – Roy Babbington (tracks: 4)
Drums – Robert Wyatt
Electric Piano – Mike Ratledge (tracks: 1 to 4)
Mastered By – Stefan Vardopoulos
Organ – Mike Ratledge
Tenor Saxophone – Alan Skidmore (tracks: 4)
Trombone – Nick Evans (tracks: 4)
Whistle, Backing Vocals – Mike Ratledge (tracks: 5, 6)


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Fleetwood Mac - Sausalito 1974




Fleetwood Mac - Ultrasonic Studios - 10/8/74

Source:  Pinup Records - Made in France 2001

Lineage:  SBD > ? > Silver CD > EAC > FLAC
EX

1.  Green Manalishi
2.  Spare Me a Little of Your Love
3.  Sentimental Lady
4.  Future Games
5.  Bermuda Triangle
6.  Why
7.  Angel
8.  Homeward Bound
9.  Rattlesnake Shake
10. Hypnotized
11. Black Magic Woman

Don't encode to MP3 or other lossy format.  Don't sell.  Share the music and enjoy it.

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Jethro Tull Denmark 1974







Jethro Tull
December 5, 1974 (1974-12-05)
Falkoner Teatret
Copenhagen, Denmark

VG+/-EX
Flac

01.[01:17] Introduction >
02.[07:12] Wind-Up > Passion Play excerpt
03.[13:44] Thick as a Brick
04.[03:02] My God >
05.[06:15] Ian solo
06.[03:36] Flute / Keyboard / Strings solo
07.[05:02] Cross=Eyed Mary
08.[02:48] How Much Is That Doggie?
09.[04:11] Skating Away On the Thin Ice of a New Day
10.[04:29] Wondering Aloud > Wondering Again (with strings)
11.[04:11] Queen and Country (with strings)
12.[03:41] Ladies (with strings) >
13.[06:06] Drums
14.[03:53] Warchild (with strings) // cut
15.[03:08] cut // Sealion > Bungle in the Jungle (with strings)
16.[08:47] Aqualung
17.[11:48] Back Door Angels > Martin solo >
18.[09:10] Locomotive Breath
19.[01:11] Back Door Angels (reprise)

Total 1:43:41

Ian Anderson – vocals, flute, bamboo flute, guitar
Martin Barre – guitar, mandolin
John Evan – keyboards
Jeffrey Hammond – bass
Barriemore Barlow - drums, percussion
Female String Quartet (unknown members)


The Copenhagen 1974-12-04 show has certainly made the rounds - and with good reason as it is one of the better sounding Warchild shows available. But, here's one of my JT best kept secrets. Here is the second night of Copenhagen, I believe recorded by the same recorder from the night before AND, overall, this is better sound quality than the 1974-12-04. I have always preferred listening to this show over the 1974-12-04. But, there is one down side to the recording, there is a very painful cut at the end of Warchild that also swallows most of Sealion, but if you can get through that, this is really an awesome show that will certainly enhance your JT collection. Sample included.

***** 44 khz / 16 bit version ***** (CD version)
Lineage: ? > cassette trade circa 1991

Transfer: Sony TC-WE475 > Microtrack II (96/24) > Wavelab (tracking and tweaking) > Flac (level 8) > you !

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Thursday, December 8, 2016

GREG LAKE Thank You


Greg Lake Songs Of A Lifetime




Download MP3 320

Emerson, Lake & Palmer Alternate Brain Salad Surgery




Emerson, Lake & Palmer / Brain Salad Surgery [40th Anniversary Edition]
Alternate Brain Salad Surgery
Quality  : High
FLAC


Track  1 Karn Evil 9 - 3rd Impression (Original Backing Track).wav
Track  2 Jerusalem (First Mix).wav
Track  3 Still ... You Turn Me On (First Mix).wav
Track  4 Toccata (Alternate Version).wav
Track  5 Karn Evil 9 - 1st Impression, Part 1 (Alternate Version).wav
Track  6 Karn Evil 9 - 1st Impression, Part 2 (Alternate Version).wav
Track  7 Karn Evil 9 - 2nd Impression (Alternate Version).wav
Track  8 Karn Evil 9 - 3rd Impression (Alternate Version).wav
Track  9 Excerpts from Brain Salad Surgery (NME Flexi Disc Version).wav
Track 10 When The Apple Blossoms Bloom (B Side Single K13503).wav
Track 11 Brain Salad Surgery (B Side Single K10946).wav
Track 12 Brain Salad Surgery (Instrumental).wav
Track 13 Karn Evil 9 - 3rd Impression (Different Version).wav

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