Sunday, July 19, 2015

Lynyrd Skynyrd - First





*Original Notes
Lynyrd Skynyrd-Skynyrd's Fýrst (The Complete Muscle Shoals Album)(1971)


This may be the greatest unissued first album ever to surface from a major band. The story behind the 78 minutes of music on this CD, cut two years before Lynyrd Skynyrd's official debut album, could fill a chapter of a book. Cut primarily during late June and late July of 1971, with a quintet of 1972-vintage tracks added, they constitute Skynyrd's complete studio recordings from the period when they were still trying to get signed and were playing lots of small-time local gigs for barely enough money to live on. Seven of the songs were released on the 1978 album Skynyrd's First and...Last, and three others appear on the 1991 box set, while "Comin' Home" turned up on The Essential Lynyrd Skynyrd earlier that same year, but this is the first time this potent body of work has been assembled properly, in one place. And, additionally, one previously unissued track by itself justifies the price of this disc -- the original demo version of "Free Bird," on which the soaring harmonies, Billy Powell's beautiful piano, and the Collins-Rossington guitar duo plays with startling fire and lyricism. Several of the tracks do contain overdubs laid on in the mid-'70s (mostly Ed King's bass and some guitar, and even a Mellotron on "White Dove" -- it would be great to hear that song without the electronic string section), but this is still the band at its most raw and unaffected, in terms of what the core members are playing. Ronnie Van Zant's singing was not only powerful, but beautiful at this stage of his career, and the group's playing -- especially the Rossington-Collins double lead guitar attack -- is filled with a fresh spirit of experimentation and adventure that makes these tracks essential listening for anyone who has ever enjoyed this band's work. Evidently, the material and related demos scared the crap out of most record company executives when they were shown around in 1971-1972, and it's easy to see why -- the sound is fierce, the songs not only boldly played but boldly written as well (even the Rick Medlocke-written
and sung "The Seasons" is a killer piece of semi-acoustic country-rock), and running anywhere from five to ten minutes apiece. Anyway, most record company executives being inherent cowardly, or stupid, or both, it's easy to see them running from the room over these sounds. Anyone who owns any of Lynyrd Skynyrd's releases should add this magnificent lost chapter in the group's history.
Review by Bruce Eder

*Wav file converted

Tracklist

1.Free Bird (Original Version)
2.One More Time (Original Version)
3.Gimmie Three Steps (Original Version)
4.Was I Right Or Wrong
5.Preacher's Daughter
6.White Dove
7.Down South Jukin'
8.Wino (Original Version)
9.Simple Man (Original Version)
10.Trust (Original Version)
11.Comin' Home (Original Version)
12.The Seasons
13.Lend A Helpin' Hand
14.Things Goin' On (Original Version)
15.I Ain't The One (Original Version)
16.You Run Around
17.Ain't Too Proud To Pray

Dowynloyd

Pink Floyd - One more from Chicago 1972




Pink Floyd
1972-04-28
Auditorium Theater, Chicago Illinois
"The Fireman's Tapes, Volume I"

EX

Source:
Audience Cassette Master > PCM > DAT > CDR > EAC (secure mode, no errors) > wav > Flac Frontend > FLAC

This source appeared in April, 2004. It is apparently the same recorder as that used by HRV-04 for the Eclipse release, although most likely from a different transcription of the analogue tapes. However, this recording contains Set The Controls that was absent from the recorder used for the Harvested release.

It is a far superior recording to the "second" recorder used for other RoIOs from this date (Dark Side Of Chicago, Chicago Auditorium), and which was used to provide the Set The Controls for HRV-04.

Flac file compiled by danlynch
2004-04

CD1
Set I
01 Speak To Me - Breathe    
02 On The Run    
03 Time    
04 Breathe (reprise)    
05 The Great Gig In The Sky    
06 Money    
07 Us And Them    
08 Any Colour You Like    
09 Brain Damage    
10 Eclipse

Disc 2:
Set II
01 One of These Days
02 Careful With That Axe, Eugene
03 Echoes
04 Set The Controls For The Heart Of The Sun

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Bruce Dickinson - Audition Tape 1981




Bruce Dickinson's Audition Tapes

London, UK
Oct. 1981
Demo-Tape
Quality: A
10 min

Silver "Rest in Pieces" -> Trade -> 1CDR -> EAC -> FLAC ->Dime

01. Twilight Zone
02. Wrathchild
03. Killers

Bruce Dickinson – lead vocals
Dave Murray – guitar
Adrian Smith – guitar
Steve Harris – bass guitar
Clive Burr – drums

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Fairport Convention - A Chronicle Of Sorts 1967-1969




Fairport Convention Chronicle - Original Notes
A major find for Fairport fanatics, this collects 23 unreleased performances from the late ’60s in acceptable-to-excellent fidelity, mostly from the BBC (with a few tracks from TV clips, and one 1968 studio outtake). Running 77 minutes, it’s divided roughly equally between the Judy Dyble and the Sandy Denny eras. Only one of these songs (“Reno, Nevada”) shows up on the official comp of early Fairport BBC cuts, Heyday. And even then, this is a much different version than the Heyday take of “Reno, Nevada,” running seven minutes and featuring some dazzling psychedelic guitar riffs. Otherwise, there’s a wealth of material that’s not officially available in either live or studio versions, including covers of several early Joni Mitchell songs, Bob Dylan’s “Dear Landlord,” Tim Buckley’s “Morning Glory,” Eric Anderson’s “Violets of Dawn,” and a send-up of “Light My Fire.” Plus, it has good live run-throughs of songs from their early albums like “Chelsea Morning,” “Fotheringay,” “Autopsy,” “Si Tu Doi Partis,” and others. It’s just as effective as Heyday in demonstrating the band’s interpretive skills and eclecticism in their early folk-rock days, though the sound quality isn’t as stellar.
Tracks 1-4 recorded by the BBC on 24 November 1967 and broadcast in ” Top Gear” on 10 December 1967 (This was the band’s first appearance on Radio)
Tracks 5-7 recorded by the BBC on 6 February 1968 and broadcast in ” Top Gear” on 3 March 1968
Tracks 8-10 are from the French TV Show ” Bouton Rouge” broadcast live on 27 April 1968
Track 11 recorded by the BBC on 18 June 1968 and broadcast in the ” David Symonds Show” on 27 June 1968
Track 12 recorded by the BBC on 18 June 1968 and broadcast in the ” David Symonds Show” on 26 June 1968
Track 13 recorded by the BBC on 28 May1968 and broadcast in ” Top Gear” on 2 June 1968
Track 14 recorded by the BBC on 26 August 1968 and broadcast in ” Top Gear” on 1 September 1968 with a repeat on 29 September 1968
Track 15 recorded by the BBC on 26 August 1968 and broadcast in ” Top Gear” on 1 September 1968
Track 16 recorded by the BBC on 27 December 1968 and broadcast in the ” David Symonds Show” on 9 January 1969 with a repeat on 23 January 1969
Track 17 was recorded in March 1969 at Sound Techniques and Olympic Studios, London and is an outtake from the ” Unhalfbricking” sessions. Engineered by John Wood. Produced by Joe Boyd
Tracks 18-20 were recorded by the BBC on 18 March 1969 and broadcast in ” Top Gear” on 6 April 1969 (Tracks 18 & 19 had Rick Grech guesting on Violin) with a repeat on 4 May 1968
Track 21 was recorded by the BBC on 23 September 1969 and broadcast in ” Top Gear” on 27 September 1969
Track 22 was recorded by the BBC on 9 December 1968 and broadcast in ” Top Gear” on 22 December 1968 with two guest musicians (unnamed) provided by the Bryan Morrison Agency
Track 23 was recorded on 10 August 1967 at Sound Techniques, London at the same session that produced the band’s first 7″ single (If I Had A Ribbon Bow) (Track 604020). Engineered by John Wood. Produced by Joe Boyd

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Sunday, June 14, 2015

Procol Harum - London 1977




Procol Harum
1977-03-12
Golder's Green Hippodrome
London

MP3 320
EX
Album Wrap

Tracklist
1 Something Magic (including Conquistador) 9:06
2 Grand Hotel 6:46
3 Pandora's Box 5:10
4 Skating On Thin Ice 5:19
5 A Salty Dog 6:15
6 This Old Dog 4:09


Total time - 36:49

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Jethro Tull AlbumWraps 5



Eight concerts, one blink of the eye. Tull in their glory throughout the seventies. Scrappy little ditties to delight your digital do-hickies.







Jethro Tull 
Essen - Grugahalle (GERMANY - 1972-01-21)
MP3 192

1. My God
2. Thick As A Brick
3. Aqualung
4. To Cry You A Song
5. A New Day Yesterday
6. Cross-Eyed Mary
7. Tomorrow Was Today/Hymn 43/Nothing Is Easy
8. Wind-up
9. Locomotive Breath

This very nice audience recording is from the silver bootleg "Live-Up" (Chapter One Recordings - CO 25114) - it's also knwon as "My God" (Great Dane Records) or "A New Day Yesterday". The Cover art is included!
--------------------------------------------------------------------------------------------------------------------------

Jethro Tull - 1972-07-01 
Surfin' With Don Ho,
Honolulu International center,
Honolulu, HI 

Lineage: unknown 
Taped by: ?? 
Transfered by: ?? 
SQ: vg 
MP3 175

Set List: 

Disc 1: 
1-3. Thick As A Brick 62:08 

Disc 2: 
1. Thick As A Brick (cont.) 18:42 
2. Crosseyed Mary 3:21 
3. A New Day Yesterday 10:33 
4. Aqualung 11:37 
5. Wind Up 15:52 
6. Locomotive Breath (not complete) 1:40 

Total: 123:55

--------------------------------------------------------------------------------------------------------------------------

JETHRO TULL 
DUSSELDORF 26.03.1973 - master
March 26, 1973
Dusseldorf, Germany
Phillipshalle
MP3 128

Disc 1 : Dusseldorf, Philipshalle 26.03.1973 - Part 1 (76:10)
              Thick As A Brick 76:10


Disc 2 : Dusseldorf, Philipshalle 26.03.1973 - Part 2 (54:40)
              Cross-Eyed Mary 9:53
              Aqualung 7:27
              Wind Up 24:55
              Locomotive Breath 9:40
              Wind Up (reprise) 2:45


THE BAND:

Ian Anderson - flute, guitar, and sings
Martin Barre - guitars
John Evan - keyboards
Barrie Barlow - percussion
Jeffrey Hammond - bass, voice

*Original notes
This is more complete (11 minutes longer)
and MUCH better sounding than my previous seed of this show.

Similar musically to the other February and March shows in Germany
that is...
very nice.
I love the shows from this tour.

THE SONGS

You know, these complete Bricks are just incredible.
It's really a shame that no Soundboard recordings exist of any live performance of the 70+ minute long Thick as a Brick.
John's organ solos are fantastic.
The little bits of compositions in the "improv" sections are neat.
The whole danged thing is just mind-blowing.
If you don't have any of the long Brick that they performed from March 1972 - May 1973 get some.
You won't be disappointed.
This one is really good, but the sound quality ain't that hot.
I prefer higher quality sound and later in the tour, after June 1972, though the really early ones are interesting too.

01 Thick as a Brick Pt. 1 76:18
- - - includes Organ and Flute Solo
- - - Quartet
- - - God Rest Ye Merry Gents
- - - News and Weather (CUT - only a very brief fragment is present - in English) 
02 Cross-Eyed Mary and Left Right and Audition 9:53
03 Aqualung 7:28
04 Wind Up and No Rehearsal and Guitar Solo 24:54
05 Locomotive Breath 9:37
16 Wind Up 2:44


TOTAL TIME 2 hours, 11 minutes

*Original Notes
--------------------------
THE SOUND: not bad at all
MUCH BETTER and MORE COMPLETE
than my previously seeded version

--------------------------
THE PERFORMANCE:

Another GREAT performance.
The folks in Germany were treated to many special Tull shows.
The band was always a little better, took more risks, in Germany I think.
So was Frank Zappa.

--------------------------------------------------------------------------------------------------------------------------
JETHRO TULL: Buffalo, NY 
September 27, 1975
Veterans Memorial Auditorium
MP3 192

DISC ONE (46:53)
01-Minstrel In The Gallery
02-Wond'ring Aloud/Again
03-To Cry You A Song
04-A New Day Yesterday
05-Flute Improvisation
06-Teacher
07-Skating Away
08-Ladies
09-Drum Solo

DISC TWO (39:45)
01-WarChild
02-Piano & String Quartet
03-Cross-Eyed Mary
04-Thick As A Brick
05-Bungle In The Jungle
06-Aqualung

Ian Anderson: Acoustic Guitar, Flute, Saxophone, Vocals
Martin Barre: Electric & Acoustic Guitars
John Evan: Keyboards
Jeffrey Hammond-Hammond: Bass, Vocals
Barriemore Barlow: Drums, Percussion
Accompanied by Female String Quartet

Part 1

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Jethro Tull 
1975-10-09 
Cobo Hall
Detroit, Michigan
MP3 192

Disc 1

1. Introduction
2. Thick As A Brick(Excerpt)
3. Minstrel In The Gallery
4. Wond'ring Aloud
5. To Cry You A Song
6. A New Day Yesterday Incl.Flute Solo/
7. Bouree/
8. Living In The Past(Instrumental)
9. Skating Away...
10. Ladies Incl.Drum Solo(Cuts Off)

Disc 2

1. Warchild Incl.Piano Improvisation
2. Cross-Eyed Mary
3. Bungle In The Jungle Incl.The Story Of The Hare Who Lost His...
4. Aqualung
5. Guitar Solo
6. Wind Up/Backdoor Angels
7. Locomotive Breath/Hard-Headed English General/Backdoor Angels(Reprise)

Musicians;
Ian Anderson - Vocals/Flute/Acoustic Guitar
Martin Barre - Guitar
Jeffrey Hammond - Bass
John Evan - Keyboards
Barriemore Barlow - Drums

*Original Notes
I Will Let The Artist & Their Music Speak For Themsleves.
Comments From You, The Listener Will Be Much More Interesting....
This Upload Is In No Way Supposed To Represent The "Definitive" Version Of This Particular Concert Or Recording.
If Someone Has A Better Copy Or Different Source, Please Upload It!!
This My Way Of Giving Back To All Those Who Have Shared And Uploaded All Their Great Jethro Tull Recordings!

----------------------------------------------------------------------------------------------------------------------------
Jethro Tull 
Empire Theater, Liverpool, England 
February 7, 1977 

Quality : VG
MP3 206

01. Wondr'ing Aloud
02. Skating Away On The Thin Ice Of The New Day
03. Jack-In-The-Green
04. Thick As A Brick
05. Songs From The Wood
06. Instrumental
07. To Cry You A Song
08. A New Day Yesterday
09. Flute Solo (God Rest Ye Merry Gentlemen & Bourée)
10. Living In The Past
11. Velvet Green

12. Hunting Girl
13. Too Old To Rock 'N' Roll; Too Young To Die
14. Beethoven's Ninth Symphony
15. Minstrel In The Gallery
16. Aqualung
17. Guitar Solo
18. Wind-Up
19. Back-Door Angels
20. Wind-Up (Reprise)
21. Locomotive Breath
22. Land Of Hope And Glory/Back-Door Angels (Reprise)

----------------------------------------------------------------------------------------------------------------------------
 Jethro Tull
1977-01-19
Detroit, MI
Masonic Temple

Audience
MP3 128

Band Members:
Ian Anderson - vocals, flute
Martin Barre - guitar
John Glascock - bass
John Evan - keyboards, piano
David Palmer - keyboards, piano
Barriemore Barlow - drums

Setlist:
01. Quartet (cuts in very end)
02. Wondr'ing Aloud (cuts in)
03. Skating Away...
04. Jack-In-The-Green
05. Thick As A Brick
06. Songs From The Wood
07. Conundrum
08. To Cry You A Song
09. A New Day Yesterday (inc. Boure) (cut towards end)
10. Living In The Past (Instrumental, inc. A New Day Yesterday)
11. Velvet Green
12. Hunting Girl
13. Too Old To Rock'N'Roll...
14. Beethoven's Ninth Symphony
15. Minstrel In The Gallery
16. Cross-Eyed Mary
17. Aqualung
18. Guitar Solo (cuts in)
19. Wind-Up ->
20. Back-Door Angels ->
21. Locomotive Breath ->
22. Land Of Hope And Glory ->
23. Back-Door Angels (Reprise)

Length: 112:09

Original Notes: 
JEMS master recording. Excellent sounding recording. This show captures Tull touring in preview of their upcoming album Songs From The Wood which would be released a few weeks after this show.

---------------------------------------------------------------------------------------------------------------------------




Jethro Tull 
Stampede Corral Calgary Alberta Canada
April 15 1979
"A Sweet Dream in Calgary"

Audience recording
MP3 192

Disc 1
1 Intro
2 No Lullaby-Sweet Dream
3 One Brown Mouse
4 Heavy Horses
5 My God-Flute Solo
6 One White Duck inst-Songs From The Wood
7 Dark Ages

Disc 2
1 Flute and Drum Solo
2 Cross Eyed Mary
3 Thick As A Brick
4 Quatrain Inst-Aqualung
5 Locomotive Breath - Dambusters March- Aqualung Reprise

*Original Notes
Sound Quality- I like it it sounds good- (Please see disclaimer)
I'll up samples. It is poorly edited with several songs to a track
mostly small instrumentals tacked on.

I really enjoyed this tour,it was very exciting. Ian entered the
stage and ran over jumped up grabbing a rope. As he pulled
the stage became a ship! Still the big 70's touring band of
Tull

The Band- I believe this is correct- I know Glasscock missed
shows as he was not always well
Ian Anderson
Martin Barre
John Evan
Barrymore Barlow
David Palmer
John Glasscock

Part 2


Sunday, May 17, 2015

Pink Floyd - The Dome, Brighton 1972






Here's a favourite of mine. Pink Floyd's first ever performance of Dark Side...well almost. 
January 20 1972 The Brighton Dome, Brighton.
Pink Floyd launched their latest work more than a full year before it's album release, The Dark Side Of The Moon. Although the premier didn't come off as planned, it didn't slow down the power and energy of Floyd and captures them in full flight. 
"Severe mechanical and electrical horrors” collapsed the second half of Dark Side, starting with "Money", hastily redirecting  Floyd into performing Atom Heart Mother as a substitute for the second half of Dark Side. This show is quite possibly the last live performance of Atom Heart Mother.
Personally, my favourite track in this show is the screaming hot version of Saucerful Of Secrets. I love Saucerful, and knowing this was not performed much in and beyond 1972, this is a gem. Gilmour is off the hook.

One Brown Mouse



"HERE THEY COME" (LPP)

Sound Quality Scale (G+ VG- VG VG+ EX- EX EX+ SUP- SUP)

SQ Rating: EX  

Pink Floyd
20-Jan-1972
The Brighton Dome, Brighton


Set1 44:13
01 Speak To Me 2:14
02 Breathe 2:45
03 Travel Sequence 7:51
04 Time 6:22
05 Breathe Reprise 1:43
06 Mortality Sequence 4:26
07 Money 3:37
08 Atom Heart Mother 15:10

Set2 62:12
01 Careful With That Axe Eugene 10:51
02 One Of These Days 8:37
03 Echoes 26:01
04 A Saucerful Of Secrets 16:42

Total: 106:25

* Original Notes
Source for this offer was downloaded Jan 2007 on Yeeshkul, text file doesn't indicate who uploaded it. Many thanks to taper and uploader. Original Txt file included.

Original Lineage: A(0)->HiFi VHS->DAT(2)->SHN
New Lineage: A(0)->HiFi VHS->DAT(2)->SHN-->Wav->ACL11->Wav->Flac7

Considered best source for this date. This source ran slow and had an occasional tick/crackle that apparently is not unusual for HI-FI VHS sources. Also, when Breathe first kicked in the taper was re-adjusting his levels which was a bit disruptive.

Speed corrected -3.0%, removed most of the occasional ticks/crackles, smoothed levels of first 12 seconds of Breathe. Applied very slight EQ, very slight NR and smoothed a few tape starts since taper was stopping between some tracks. Also ended Set1 after AHM since this is where they took their break.

I rarely use NR and I am not adverse to typical low gen analogue hiss since I grew up with it. I made an exception here after getting a good hiss sample and conservatively applying it. The spectrograph showed little music beyond 10k and I left more than 2k of buffer above the music. The result is perhaps a 30% reduction in hiss.

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Saturday, May 16, 2015

Pink Floyd - One more from Hamburg 1972



Pink Floyd
1972-11-12 Ernst Merck Halle, Hamburg
Quality: Vg+/Ex-
Lineage: Master>dat>cd-r(2)>EAC (secure with C2)>CDWave>CEP 2.1>WAV>TLH (with Align)>FLAC(7)
Taped by: ??
Transfered by: mesquite
No artwork
--------------------------------------------------------------------------------

Set List:

Disc 1:
 01. Speak To Me  0:47    
 02. Breathe  2:50  
 03. On The Run  6:11    
 04. Time  5:58
 05. Breathe (reprise)  1:05    
 06. The Great Gig In The Sky  4:35    
 07. Money  6:20    
 08. Us And Them  7:41    
 09. Any Colour You Like  6:02    
 10. Brain Damage  3:46   (cut at the end, tape flip)  
 11. Eclipse  0:58   (cut at the beginning, tape flip)

Disc 2:
 01. One Of These Days  8:13    
 02. Careful With That Axe, Eugene  13:03
 03. Echoes  23:53
 04. Set The Controls For The Heart Of The Sun  12:03

Total: 103:33

--------------------------------------------------------------------------------
OriginalNotes:
Many many thanks to the taper and Mesquite for sharing this gem from his fantastic collection. Recording seems a little boomy, turn down the bass & turn up the treble during playback. Can never get bored of CWTAE (a psychedelic masterpiece) and Echoes. Nice jam during OTR & ACYL.

This cd came to me with 11 tracks with some repeats between cds. I used cdwave & Cool Edit pro (CEP) to split tracks and remove any repeats. No other processing was done.

Seeded by: fatoldpig

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Friday, May 15, 2015

Pink Floyd - Hamburg 1972





Pink Floyd
Ernst-Merck-Halle
Hamburg
November 12, 1972

Source: Very good audience recording
Lineage: Original silver CDs -> EAC (V0.95 prebeta 4) -> wav -> flac

Bootleg Title: "Eclipse On Hamburg 1972", Highland HL651/652

Setlist:
Disc 1:
1. Speak To Me
2. Breathe
3. On The Run
4. Time / Breathe (Reprise)
5. The Great Gig In The Sky
6. Money
7. Us And Them
8. Any Colour You Like
9. Brain Damage
10. Eclipse
Running Time: 45'57"

Disc 2:
1. One Of These Days
2. Careful With That Axe, Eugene
3. Echoes
4. Set The Controls For The Heart Of The Sun
Running Time: 57'12"

Original Notes:
This is another new Highland release I just received. According to http://pinkroioshn.myftp.org/ it sounds crispier than 'German Tour Vol. 3'. The ending of 'Brain Damage' and the beginning of 'Eclipse' are cut. Because this happens just around the 45 minute mark, I guess it is a tape flip.
There have been sector boundary errors between tracks 1 and 2 on disc 1 and all tracks on disc 2. I have fixed them with EAC's integrated wave editor.

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Pink Floyd - Two from Chicago 1972



Pink Floyd
Date: 1972-04-28
Location: The Auditorium Chicago, IL
CD Bootleg: Chicago 1972
       
Quality: VG+/EX-
FLAC

Disc: 1 CHICAGO 1972

01 Speak To Me 1:04
02 Breathe In The Air 3:14
03 The Travel Sequence 5:11
04 Time 5:52
04 Breathe In The Air (reprise) 1:05
06 The Mortality Sequence 3:44
07 Money 7:34
08 Us And Them 7:19
09 Any Colour You Like 6:24
10 Brain Damage 3:48
11 Eclipse 1:53

Disc: 2 CHICAGO 1972

01 One Of These Days 8:53
02 Careful With That Axe, Eugene 12:20
03 Echoes 24:17
04 Set The Controls For The Heart Of The Sun 13:28

Band:
David Gilmour
Rick Wright
Nick Mason
Roger Waters

Recorded Live at The Auditorium Chicago, IL 1972-04-28

Original Comments:

There are two tape sources in circulation for Pink Floyd’s Chicago show in 1972. The first tape was utilised by Highland on The Great Gig (Highland HL561/562) released several years ago. The sound quality is fair to good and is acceptable in lieu of anything else. But the second tape source surfaced in April 2004 and is used by Siréne on this release is a phenomenal upgrade. This was recorded on a reel-to-reel very close to the stage and picks up the concert in astonishing detail.  The only negative about this recording is the loud bass being a bit too high in the mix. It never overpowers the other instruments and one can make the claim this is the best recorded show from the 1972 spring tour. There is a cut after “Money” and at 1:22 in “Us & Them”, between each of the tracks during the second half and a cut and fade between 19:15 to 19:18 in “Echoes”.

The first transfers of this tape were missing “Set The Controls For The Heart Of The Sun”, but the final song of the show is present from the newer tape source and is complete on this release. The first half of the show is devoted to the material from Eclipse which wouldn’t be familiar with the audience for another year when it would be released on Dark Side Of The Moon. The tape begins right at the opening heartbeats and the audience cheers along with the synthesizer effects before the band crash into “Breathe”, sounding very close to the final version. The following “Travel Section” is the Wright/Gilmour jam section they would play all year.  Some collectors argue that this fits the atmosphere of the suite much better than ”On The Run”.  The jam session is a lot of fun to listen to, but the organised chaos of the VCS3 in an innovative classic that expresses more movement than conventional instruments are able to. “Time” is missing the giant buzzing clocks and Wright’s singing on the “lying supine in the sunshine” interludes are very clear.

The tape of Malcom Muggeridge is very loud during ”The Mortality Sequence” while Wright plays chord progressions similar to “Celestial Voices” from “A Saucerful Of Secrets”. The coin sounds are different at the beginning of “Money” and the band have a hard time synching up with it properly. They make an attempt, but eventually just turn the sound effects off. Gilmour sings the melody line similar to how Waters sings it on the acoustic demo (”Get a good job with more pay and you’re okay” in particular). Wright plays a keyboard solo in place of the saxophone in later versions. “Us & Them” is particularly slow and majestic in this recording and the band follow with the finale of the suite. “Any Colour You Like” (or “Scat” as it was called at this time) is a six minute Gilmour driven piece.

During “Eclipse” someone banging on a wooden block is audible in the mix and there is audience applause after the line “rearrange me ’till I’m sane”.  Overall it is an effective if slightly tired performance of the piece by the band. The second half of the show features two songs from their latest album Meddle and two older numbers. The first song is one of the heavier versions of ”One Of These Days” on tape. This one almost brings down the roof. “Echoes” is the second Meddle song played and received the loudest ovation of the evening. During the seabirds section someone keep shouting out “Pink Floyd … Pink Floyd” for some strange reason.  Before the encore Waters says: ”…come next time. Thank you all for coming” before introducing “Set The Controls For The Heart Of The Sun”.  Thirteen minutes of pure psychedelic explorations close the evening. Chicago 1972 is a great release on the Siréne label and one of their best overall.

Download

---------------------------------------------------------------------------------------------------------------------------

Pink Floyd
Auditorium Theatre, Chicago, IL
1972-04-28

Superb DSOTM from Low-Gen Reel to Reel 16 bit
FLAC

Original Notes:
This is perhaps the nicest early performance this guy has ever had the pleasure to hear. As I think this tops both the Hollywood Bowl and Rainbow concerts from the same year, why do I say that? This show is so good it makes you float. The boys are relaxed and into it - I mean *really* into it, and it shows from beginning to end. The recording is also almost as good as it gets for an audience tape.

Dark Side Of The Moon (47:37)

Speak To Me
Breathe
On The Run
Time
The Great Gig In The Sky
Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse


Lineage:
BASF reel ->Sound Forge ->(-)16.7 cents speed correction ->gap repairs (hopefully all done) ->track splitup ->Flac via Flac Frontend, level 6, sectors aligned and verified

Enjoy!


Many thanks to Doinker for uploading this marvellous 'Dark Side' performance.
It is a huge sonic improvement on the original Harvested release (RevA includes the entire concert),

In listening I thought there were a few things in the recording I wanted to adjust for myself, including:

i) A stereo image consistently off to the left, which I found distracting, especially on headphones.

It probably reflects the positioning of the taper within the hall. I reckon he was seated to the left side, close to the stage. Thus he would naturally have swivelled slightly right to face the stage. When he did, he'd have the audience around him and in front, but more weighted to the right. He'd also have the closest main speaker stacks above his left side and the Floyd's surround-sound stacks behind and to the right. I think he aimed his stereo mic towards the visual focus, the stage, and thus captured the left-dominant stereo field we hear on this recording.
Changing this is an aesthetic matter. The taper's positioning was not ideal, and no adjustment will make it so. However by simply shifting the phase alignment of the channels, I have duplicated what this recording would have sounded like if the taper had pointed his mic at the acoustic focus, the primary speaker stacks, and captured the music stereo centre. It does shift the audience a bit off to the right, and some of the multi-channel speakers too, but for me, this actually brings out the 'surround' feel of the tape effects a little better. You can certainly discern the tape effects from what comes from the musicians play on stage (eg: Speak To Me).
Note also at the end of 'Money', when (I'm guessing) it sounds as though the front PA dies, leaving audio coming from the stage itself and the surround stacks.

ii) Balancing the equalisation to lift the lower frequencies, adding 'body' to the sound and a bit more punch in the bass.

iii) Repairing numerous small dropouts and some larger glitches. No critique of Doinker, who may have corrected even worse problems (and said 'hopefully all done'), but there were quite a few in 'Breathe' and from 'Brain Damage' on, including some bad clunks in 'Eclipse'.

There were a few comments on Doinker's torrent suggesting these improvements would be appreciated, so having prepared this remaster for myself, I thought I would offer up the results for others. Here it is now, with Doinker's approval.

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Sunday, May 10, 2015

Pink Floyd - Cincinnati 1972 (Two of a Kind)



Pink Floyd - 1972-04-23 - Cincinnati, OH (AUD/FLAC)

Music Hall

Lineage:
Cass(3) > CDR(0) > EAC > Wav > TLH > FLAC (16bit/44kHz) ----> Samplitude10 (32bit/44kHz) > Wav (16bit/44kHz) > CDWave (1.98) > FLAC

Set 1 (45:03)
01. [00:13] Speak To Me
02. [02:44] Breathe
03. [05:01] On The Run
04. [06:32] Time
05. [01:04] Breathe (reprise)
06. [01:48] The Mortality Sequence (fades out)
07. [06:39] Money
08. [07:52] Us & Them
09. [06:54] Any Colour You Like
10. [03:53] Brain Damage
11. [02:18] Eclipse

Set 2 (54:58)
12. [07:46] One Of These Days
13. [12:32] Careful With That Axe, Eugene
14. [20:05] Ehoses (cuts)
15. [14:33] A Saucerful Of Secrets

|| [100:01] Total


***Neonknight's Notes***
An enjoyable early DSOTM concert from the usual recorder but using a new source to the general community. "Oh God" exclaims a member of the audience as CWTAE commences. As one who never tires of listening to that particular song I can entirely see what he means!

***Littlepieces' Mastering Notes***
This is a mono recording that was processed as two channel stereo. It has a phase shift that varies some but is generally about 2-5 samples. Both channels were retained and manually aligned to improve the phasing.

I improved the damaged segment near the beginning of Breathe by using the best part of each channel and repaired a dropout near the end of the song. Smoothed the fade out/fade in of The Mortality Sequence to Money and repaired a dropout in Money. Removed 13s repeated segment at beginning of U&T and spliced. Repaired noise at track change to BD and smoothed probable tape change and level drop during BD by using the best part of each channel.

I removed dead air from fade out/fade in near beginning of OoTD that is on all versions. Increased the gain of left channel on CWTAE 1.5db. Replaced the left channel with the right channel on Echoes as the left was 3.5-4db lower and of lower quality. About 5s into Echoes, you can hear the SQ change and signal drop after 6k - this seems to be on all versions. Removed dead air from fade out/fade in at ~15:22m into Echoes. I noted that before Echoes cuts that it has about 15s more content than the R&D source. I increased the gain of left channel 1.5-2.1db on SoS.

The speed of the first set was close enough most of the time and so I decided not to subject it to a SpC/resample. The second set was off a bit more and adjustments from 98.25 to 101.30 were made.

Download
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Pink Floyd
23 April 1972
Music Hall, Cincinnati, Ohio
lineage: cass(unknown)>eac>flac

If you had to limit yourself to one Pink Floyd show from 1972, you certainly wouldn't choose this one. In fact, it wouldn't be in your top ten. Still, it's a nice show.

The setlist is unremarkable save for the rarely played (in '72) "A Saucerful Of Secrets." It's an overall good performance including a great "Travel Sequence" and "Any Colour You Like", and the bonus of a edit-shortened "The Mortality Sequence". (Other edits to beware of are a fade out - fade in near the beginning of OOtD and an Echoes cut short.) Sound quality is VG-, listenable with some low end distortion.

Track List

Disc One
01 Speak To Me - Breathe
02 The Travel Sequence
03 Time
04 Breathe Reprise
05 The Mortality Sequence
06 Money
07 Us And Them
08 Any Colour You Like
09 Brain Damage
10 Eclipse

Disc Two
01  One Of These Days
02  Careful With That Axe, Eugene
03  Echoes
03a Echoes
04  A Saucerful Of Secrets

Revisions made 08-03-03 by kingjollytrouser:

1.  Edited out gap in One of These Days at 1:28
2.  Fixed digital noise at 1:58 in Time
3.  Edited Echoes at 16:03 to remove fade out/in and gave track a smoother fade out.
     I have included both versions of Echoes in case you don't like my edit.
4.  Smoothed out rough edit at 3:40 in Brain Damage and matched end levels to rest of song.
5.  Fixed several songs that had a small portion of their beginning at the end of the previous song.
6.  Removed a few pops/clicks.
7.  Named the ROIO since it didn't seem to have a name!

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Pink Floyd - Berlin (Three Different Ones) 1972



Pink floyd
Berlin 1972 (Siréne-106)
Deutschlandhalle, Berlin
May 18th, 1972

Sirene Silver > Secure EAC Wav > Flac

Disc 1:  Speak To Me, Breathe, On The Run, Time, Breathe (Reprise),
The Great Gig In The Sky, Money, Us & Them, Any Colour You Like,
Brain Damage, Eclipse

Disc 2:  One Of These Days, Careful With That Axe Eugene, Echoes,
Set The Controls To The Heart Of The Sun

CMR:
Pink Floyd's show in Berlin on May 18th is the first of three appearances in a very short tour of Europe. The two following this, the May 21st gig in Germersheim and the May 22nd show in Amsterdam, have already been released by Sirene as Double Bubble (Sirene-008) and Amsterdam Rock Circus (Sirene-062). (A fourth show at the Bièvres Festival in Bièvres, France on June 25th is sometimes said to have taken place but no definitive evidence has surfaced).  Berlin 1972 is a mix of two audience sources. The first audience source is fair and has circulated on cdr as Lords Of The Universe and German Tour 1972 Vol. 1.  The second tape surfaced several years ago and is good to very good and clear. It is slightly hissy in quiet passages and contains several cuts.

Sirene use the better source for the majority of this release and edit the first tape source to fill the fifteen second gap for the tape flip in "Us & Them" at 2:45, the first five minutes of "One Of These Days" and a four minute gap beginning at 6:28 in "Echoes".  There are also several dropouts during "Echoes" and "Set The Control For The Heart Of The Sun" but nothing major.  This is the only show of the three where the band played the Dark Side suite. It was dropped from the other dates since they were festivals. Gilmour sings in a strange voice for "Breathe". At first I didn't know if it was him or not but he sounds as if he has a cold. "The Great Gig In The Sky" ends with a heavenly melody on the church organ that segues into the opening for "Money".  "One Of These Days" is their best stage number and is overwhelming in this performance. This isn't the greatest tape but the editing and mastering job by Siréne is handled very well and it's possible to enjoy the entire show despite the imperfections.

Artwork, Secure EAC Log and Flac fingerprints included

very good audience recording very much worth the download

Download

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PINK FLOYD

Berlin! 1972 Deutschlandhalle

Cape Music CM825

(P) 2010     Made In South Africa

Trifold Digipack

  Disc 1: Time:
 
  1. Speak To Me (sick .. audience only)  2:06
  2. Breathe  2:56
  3. On The Run  5:12
  4.Time  7:10
  5. The Mortality Sequence  4:05
  6. Money  6:52
  7. Us & Them  7:40
  8. Any Colour You Like  6:28
  9. Brain Damage  3:56
10. Eclipse  2:26
 
Total Time: 48:51
 
 Disc 2: Time:
 
  1. One Of These Days 11:07
  2. Careful With That Axe Eugene 16:57
  3. Echoes 27:28
  4. Set The Controls For The Heart Of The Sun 12:33
 
Total Time: 68:05
 
Band:
David Gilmour
Nick Mason
Roger Waters
Richard Wright

18 May 1972 Live at Deutschlandhalle, West Berlin

MD5 & Artwork incl.
----------------------

Cheers
Hoka

http://www.hokafloyd.com

Download


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1972 05 18 Deutschlandshalle

101 - Speak To Me-Breathe
102 - On The Run
103 - Time
104 - Breathe Reprise
105 - The Great Gig In The Sky
106 - Money
107 - Us And Them
108 - Any Colour You Like
109 - Brain Damage
110 - Eclipse

201 - Tuning
202 - One Of These Days
203 - Tuning
204 - Careful With That Axe, Eugene
205 - Tuning
206 - Echoes
207 - Tuning
208 - Set The Controls For The Heart Of The Sun

Lineage: cass (unknown) > eac > flac

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Saturday, May 2, 2015

Jethro Tull - AlbumWraps 4



Four more great sounding early Tull wraps. No warranties, all trades final.



Jethro Tull
Capitol Theatre
Port Chester, NY, USA
29.07.1970 - Early Show

Audience Recording : B+

1. Tune Up
2. To Cry You A Song
3. My God
4. With You There To Help Me
5. Dharma For One
6. We Used To Know /Guitar Solo /For A Thousand Mothers

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JETHRO TULL
CAPITOL THEATER,
PORT CHESTER,NY,USA
APRIL 27,1971
LATE SHOW

VG

CD 1
1-TALK/TUNING
2-NOTHING IS EASY
3-AQUALUNG
4-WITH YOU THERE TO HELP ME
5-SOSSITY YOU'RE A WOMAN > REASONS FOR WAITING > SOSSITY YOU'RE A WOMAN

CD 2
1-MY GOD W/ FLUTE SOLO INCLUDING BOUREE
2-CROSS EYED MARY W/ DRUM SOLO
3-WIND UP W/ GUITAR SOLO
4-LOCOMOTIVE BREATH ( FADES OUT )

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Jethro Tull
Grand Riviera Theater Detroit,
1969-11-28

Here is an oldie but a goodie from the Tull Passion Players tree. A 2005 release.

Ripped from CD using Nero 7
Encoded to FLAC using Trader's Little Helper
Torrent file created with uTorrent

Track List

Disc : 65:38

T01- Intro/Nothing Is Easy 10:21
T02- Bouree/Living In The Past 12:03
T03- A New Day Yesterday 6:00
T04- Fat Man 5:04
T05- My Sunday Feeling 5:10
T06- Dharma For One 3:31
T07- We Used To Know 24:09

Here is the original info:

Jethro Tull
Grand Riviera Theater
Detroit, Michigan
USA
28 November, 1969

This is a very rare, early audience recording that had been amazingly
well preserved, considering its age. The sound is fairly clear,
though Ian apologizes to the audience at the beginning for the
quality of the sound, stating that the band was using the venue's
sound system rather than their own.

The recording had several small tape drop-outs, which were repaired.
Nothing Is Easy had a small bit of material missing, which was
repaired by splicing in a passage from later in the track.There were
a few places in other tracks where gaps were repaired by editing,
splicing and blending. Fat Man had a repeating thumping noise that
soundind a bit like a noise from a vinyl recording. It wasn't
possible to toally remove the thumps, but they have been
significantly reduced. Originally, the recording was divided into 11
tracks. These were combined into 7 tracks, and the song transitions
were smoothed out and blended in. Finally, the recording was re-
equalized to improve the bass sound and reduce some excessive high
end tone, and the quite heavy hiss was removed. Overall, I think the
end result turned out quite well considering that this is a 35 year
old recording, and I hope everyone enjoys this classic performance.

Sealdriver, 15 July, 2005

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A big festival day at Randall's Island in New York City, with Tull, Hendrix, Mountain, and others on the bill. This is a fine audience tape.

First Gen tape>DAT>cd-r>Bias Peak Pro 5>flac

Lineup: Ian Anderson-Martin Barre-Clive Bunker-John Evan-Glenn Cornick

Setlist: (73:29)
1. Nothing Is Easy
2. My God
3. With You There To Help Me/By Kind Permission
4. Dharma For One
5. We Used To Know/Guitar Solo/For A Thousand Mothers

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Download 4

Friday, April 3, 2015

Jethro Tull - Three More Great AlbumWraps 1971/72

More


More from the vaults. Here are three great Tull shows from 1971 and 72. The sound is pretty good to very good, and they are some classic performances. All very listenable, but low bit rates, and of course...albumwraps. Enjoy! 




Jethro Tull - 1971-06-18 LA Forum (bonus 1971-01-24 Berlin) 
Source: Aud 
Lineage: Unknown 

CD 1: 

1.My God 19:20 
2.With You There To Help Me 14:08 
3.Sossity; You`re A Woman/Reasons For Waiting 6:58 
4.To Cry You A Song 5:47 
5.Aqualung 9:58 
6.Cross-Eyed Mary (incl. Drum solo) 11:11 
7.Nothing Is Easy 9:57 

Total: 77:22 

CD2: 

1.Ian`s Announcement 1:48 
2.Wind Up 4:34 
3.Guitar Solo 9:54 
4.Locomotive Breath 5:44 
5.Hard-Headed English General 2:55 
6.Wind Up (reprise) 3:17 

bonus tracks (Berlin 1971-01-24) 

7.Intro 0:55 
8.Wind Up 2:30 
9.Aqualung 6:24 
10.My God 11:09 
11.With You There To Help Me/By Kind Permission Of 9:41 
12.Sossity; You`re A Woman/Reasons For Waiting 5:15 
13.Cross-Eyed Mary (incl. Drum solo) 7:31 

14.Ian Anderson`s German TV Interview (1970-04-06) 5:27 

Total: 77:13 
_________________________________________________________________________________

Jethro Tull 
Kiel Convention Center 
St. Louis, MO 
1972-05-05 

Setlist

Track 01 - TAAB 1 Really Don't Mind...
Track 02 - TAAB 2 I've Come Down From The Upper Class....
Track 03 - TAAB 3 Flute Solo.
Track 04 - TAAB 4 Your Bread And Water's Going Cold....
Track 05 - TAAB 5 Six O' Clock News.
Track 06 - TAAB 6 See There, A Man Is Born....
Track 07 - TAAB 7 Well, Let Me Help You....
Track 08 - Cross-Eyed Mary.
Track 09 - A New Day Yesterday.f
Track 10 - Aqualung.
Track 11 - Wind Up.
Track 12 - Locomotive Breath.


Disc 1: 75:17 

01. TAAB 1 Really Don't Mind.... 
02. TAAB 2 I've Come Down From The Upper Class.... 
03. TAAB 3 Flute Solo 
04. TAAB 4 Your Bread And Water's Going Cold.... 
05. TAAB 5 Six O' Clock News 
06. TAAB 6 See There, A Man Is Born.... 
07. TAAB 7 Well, Let Me Help You.... 

Disc 2: 49:02 

08. Cross-Eyed Mary 
09. A New Day Yesterday 
10. Aqualung 
11. Wind Up 
12. Locomotive Breath 

TT: 124:19 

*Original Notes
This SHOULD not be one of my typical long-winded concert 
descriptions because there's not too much to say except for 
a lot of bitching and moaning. I got this tape from a good 
taping friend ~ 20 years ago and he told me it was a 3rd 
gen copy from the master. Well, I don't know if he dubbed 
my copy himself or got it from somebody else but it is 
totally fucked up ! It is the Crown Prince of fucked-up 
tapes. The setlist shown above is in the correct order; here 
is the order in which the tracks exist on the 2 tapes: 

Tape 1, side A 

01. TAAB 3 Flute Solo 
02. TAAB 4 Your Bread And Water's Going Cold.... 
03. TAAB 5 Six O' Clock News 
04. TAAB 6 See There, A Man Is Born.... 
05. TAAB 7 Well, Let Me Help You.... 

Tape 1, side B 

06. Cross-Eyed Mary 
07. A New Day Yesterday 
08. Aqualung 
09. Wind Up 


Tape 2, side A 

10. TAAB 1 Really Don't Mind.... 
11. TAAB 2 I've Come Down From The Upper Class.... 
12. Locomotive Breath 

As you can see, this is a recipe for insanity. Luckily, 
it didn't take too long to sort this out and get it into 
some semblance of order. I was NOT at this show so I'll 
tell you what I know about this tape: 

I broke up TAAB into 7 distinct titled tracks so it would be 
easier to listen to and so that you, the Tull fanatic, 
would not have to deal with one 75:17 track. The track 
splits were done in what I think was a very logical 
manner. TAAB, which is all of CD 1, is virtually complete. 
There are a few brief missing moments but that's the way 
that I got the tape. I'd say that TAAB is 98-99% complete. 
As far as CD 2 is concerned, Track 9 cuts out, the beginning 
of Track 10 is missing & Track 10 also cuts out. According to 
the Ministry Of Information UK, Hard-Headed English General and 
Wind Up (reprise) are also missing from this tape. I've got 
a lot of respect for those guys ; they may be right, but 
they've been wrong before... 

I know that all of you are curious about sound quality. I would 
rate this as a solid very good to very good plus. Any higher 
rating would be, IMHO, a lie. There is a low-level more or less 
constant hiss to the tape. There are volume fluctuations that 
seem to be from an electrical problem within the recorder and 
there are mic handling noises. On the other hand, there is NO 
distortion, NO speed fluctuation problem, very little talking 
around the taper and a clear to very clear sound capture. 
Remember, we're dealing with 1972 technology here ; this was 
probably taped on Mom's GE tape deck (dictionary-sized) with 
a less-than-wonderful microphone. All in all, though, I think 
it's a pretty good-sounding tape and I think that you'll enjoy 
it. My tapes are ~ 20 years old so they should be pre-bootleg 
generation. I WILL post at least one sound sample so you'll 
know what you're getting into... 

As always, if you have a complete or better-sounding copy of 
this show, up it by all means. If you are a technical remastering 
wizard, you have my go-ahead to remaster this as long as you 
upload the results here on Dime for everybody to enjoy. 
I did NO EQing, hiss reduction or anything else to this tape. 
You're getting my raw tape as I have it. The only thing that I 
DID do was to track it. 

That's about all that I have to say, so let's wrap this up. 
No buy, no sell, no mp3. Please seed this as long as you can. 
I'm unsure but I don't think that this tape has been widely 
circulated so JUMP ON IT !!! Well, thanks for reading 
this and Mr. Natural would like to add these few comments: 
have fun, don't freak out, enjoy the concert and don't throw 
shit at the stage ; Ian may have to come down there and kick 
your ass...

____________________________________________________________________________

JETHRO TULL, 
London February 26th 1971 
from the Laggashoebox. 
First time seeded - from original tape.
*Original Notes
Just came back to DAD from a long summer break - good to see that there still is a lot of fantastic music around! 

To all you Tull fans out there: here's a find from my shoebox, never before seeded. 

I recorded this on an Uher on slow speed and the Gaumont State Theatre is a very "loud" hall - 
so a WARNING: this isn't a high fidellity recording!. 
But to me it sounds just like it did that night almost 35 years ago. 

I'm not a Tull specialist and I haven´t heard other early Tull tapes so I will not judge the musical quality, but I really like this recording, it«s full of energy. 

As for the track list perhaps someone could help me out! 
This is just one track of 73 minutes so if anyone will split it in tracks feel free to do it and re-seed it! 

I«m pretty sure that this must be the early performance from the 26th. 
Here«s the info from: 
http://www.ministry-of-information.co.uk/setlist/71.htm 
February 26th 1971 
Gaumont State Theatre 
London, UK 

Two shows - 18:30 & 21:00. 
Support: Steeleye Span
My God (w. flute solo), 
Aqualung, 
With You There To Help Me, 
By Kind Permission Of..., 
Sossity: You're A Woman/Reasons For Waiting, 
Cross-Eyed Mary, 
Drum Solo, 
Nothing Is Easy, 
Wind Up/Guitar Solo/Locomotive Breath, 
Hard-Headed English General, 
Wind-Up (reprise) 


Wednesday, April 1, 2015

Free - Tampa 1972





Free
Tampa Florida
April 30 1972

Complete Show
Two album wraps (approx 30 mins each)
MP3 320
EX

Download

Jimi Hendrix - Lonely Avenue Jam Session




Band of Gypsys: Lonely Avenue

Jam Session
MP3 256
EX

01. Lonely Avenue / Power Of Soul / Burning Desire / Flying / Send My Love To Linda / Gypsy Boy / Cherokee Mist / Stepping Stone / Villanova Junction / Ezy Rider / South Saturn Delta. (36:36)
02. Calling All The Devils Children / Stepping Stone / Ezy Rider / Villanova Junction blues (6:48) / 1969-11-14
03. Honey Bed Sessions (Takes 1-4) (7:58) / 1969-09-23
04. Ezy Rider Jam / MLK / Cherokee Mist (19:45) / 1970-01-23

All tracks recorded at The Record Plant,321 West 44th Street,New York

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